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Mat Kearney didn’t write his first song until
midway through college. Raised in Oregon, he was influenced by artists
such as Michael Jackson and Paul Simon and between his junior and senior
year at California State University started his musical career. He left
for Nashville where he recorded his first album, Bullet,
in 2004. Three years later, VH1 helped Kearney break into the big time
by keeping his single Nothing Left to Lose in their
rotation for 45 consecutive weeks. The television channel then sent
Kearney out to headline their You Oughta Know tour. With
the networks help plus an appearance on Late Show with David
Letterman, Kearney watched as singles Nothing Left to Lose,
Undeniable and Breathe in and Breathe Out
crack the Top 40.
Co-produced by Kearney and Robert Marvin,
City of Black & White was recorded last year in Nashville based
on a sound Kearney calls a late 80s/epic kind of way.
“I wanted the songs to come to life when I played
them live,” Kearney said. “I had been listening to a lot of Sam Cooke
and I wanted the rhythm sections to make your head bob before you could
decide if you liked the songs.”
If that was his goal, Kearney failed.
Song List
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All I Have
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Fire & Rain
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Closer to Love
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Here We Go
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Lifeline
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New York to California
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Runaway Car
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Never Be Ready
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Annie
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Straight Away
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On & On
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City of Black & White
While Kearney is a decent songwriter, his music
never rises to the level of other contemporary artists. There are a
number of obvious influences on his sound from Coldplay to Jack Johnson
to REM to Dave Matthews. Unlike Matthews, Kearney’s voice doesn’t have
that extra something and unlike Johnson his songs don’t have the unique
beat that makes them standout in your memory. While REM and Coldplay
songs possess smart lyrics, Kearney’s lyrics seem a bit cheesy and
everything comes across as a life or death situation. It is too much.
The opening track, All I Have, is a
slightly upbeat number with that specific beat Kearney was talking
about. It gets your head bobbing but when you listen to the lyrics you
begin to question how original of a songwriter Kearney really is. With
lines like “Don’t you come around here, come around here anymore”
and “Every breathe, every step, every moment I’m looking for you”
does nothing but bring back memories of better songs by better artists.
The song is followed by three more radio friendly
adult contemporary songs. While Kearney does not possess a unique voice
that rises above ordinary, he does sing with a warmness that relaxes and
soothes the listener. I found myself listening to the songs and while
very few were memorable, they all put me in a tranquil mood. Not every
album needs to be upbeat and energetic but I would hope that they would
at least be catchy.
Out of those three radio friendly songs, Fire
& Rain has the best lyrics and both it and Closer to Love
have a nice beat behind them. Then we reach Here We Go and
Lifeline, both with lyrics that seem boring, uninspired
and repetitive. Neither song gets high marks from me but I find the next
song, a soft piano ballad called New York to California to
be a beautiful song. With a sound very similar to Coldplay, Kearney
delivers some of the most heartwarming vocals on the album despite the
lyrics still being a bit cheese. “If you found yourself lose out in
this world/then I’d find a way to get back to your side/No mountains too
high, no stone is too small/I’d build a bridge through the fire/For you
I’d crawl from New York to California.” If he sang with this much
honesty on all the songs, it would have made for a much better album.
The rest of the album puts me to sleep with the
exception of two standout tracks.
Annie is a song that tells the story
of a girl trying to escape a troubled situation (“Cause Annie’s got
to get out before she never can/We’re chasing for the ceiling, I’m
grabbing for her hand/We’re calling on a thin phone line tonight/Cause
Annie’s got to get out”). It’s a nice little song amidst the
clutter of generic tunes. The final song is one of the best tracks on
the album, City of Black & White. The song has one of the
best beats on the album and some really catchy lyrics (“I don’t want
to wait until tomorrow/to tell you how I’d feel the rest of my life/You
don’t want a waste another minute to realize/Walking on the dark side of
the evening/Baby it is you that opened my eyes/Burning like a fire on
the water/The city of black and white”)
Mat Kearney’s third album is a boring mix of
generic adult tracks. His writing is slight and unmemorable and his
voice has nothing to help him stand out from his contemporaries. There
are some good songs including City of Black and White,
New York to California, Fire & Rain,
Closer to Love and Annie. Five decent songs do not
make a good album.
6.0/10.0 |