|

Better Than Ezra is one of those nineties bands
that I had heard but could never put my finger on a specific song they
sang. My wife is a huge fan of the band since she graduated from high
school in Baton Rouge and college in north Louisiana, nearby to the
hometown of the band. Last year I surprised her with tickets to see the
band play here in Oklahoma and I sat in shock at how many songs the band
performed that I recognized and liked. They are one of those
bands.
Better Than Ezra was originally formed in 1987 by
Kevin Griffin while he and the original members attended college at
Louisiana State University. The band had some minor success until 1989
when lead guitarist Joel Rundell died of an apparent suicide. After some
short time off, the band rebounded and finally released their first
nationwide album Deluxe in 1993 before finally getting
signed by Elektra Records in 1995. Their first hit was Good
which they followed up with Rosealia, King of New
Orleans, Desperately Wanting, Extra Ordinary
and Misunderstood.
In 2009, the trio lost their drummer as he decided
to play full time with Jennifer Nettles and country group Sugarland. He
was replaced with newcomer Michael Jerome just in time for their seventh
studio release and first album since 2005.
Kevin Griffin ... vocals, guitar,
piano
Tom Drummond ... bass
Michael Jerome ... drums
Songs
-
Absolutely Still
-
Turn Up The Bright Lights
-
Just One Day
-
The Loveless
-
All In
-
Fit
-
Hell No!
-
Hey Love
-
Nightclubbing
-
Black Light
-
Wounded
-
I
Just Knew
Songwriter Kevin Griffin stated he believed the
band reached their creative peak with their third album How Does
Your Garden Grow. Their new album, Paper Empire,
shares much in common with that very eclectic release. Better Than Ezra
is at their best when they release pop friendly music and the new album
makes me wonder if after twenty years, Griffin is still trying to find
his sound.
“We're all bringing in new influences into the
band,” Griffin said in a recent interview. “Whether I'm listening to a
Friendly Fires album or MGMT or the new Raconteurs, you're gonna hear
that in our music. The sound has always kind of changed as we've
changed, but I think that's why we continue to have success and every
album has a couple of songs that do well at radio.”
The album opens with two great songs displaying
both the strong songwriting of Griffin and the sound fans of Better Than
Ezra have grown to love. Absolutely Still is a song
reflecting on those times when things are perfect between you and the
person you are with (The world is spinning turning day to night/and
my thoughts are running at the speed of light/Got an empty feeling that
I never want to fill/absolutely still/I waited longer 'cause I needed
proof/that every door I shut is leading me to you/and there's a nervous
feeling that I never want to kill/absolutely still). It’s the first
single off the new album and the song most similar to their classic
catalogue. Turn up the Bright Lights is another good song
but remains too close in tone to the opening song, which hurts it when
it comes to remembering it on its own.
All the best qualities of Better Than Ezra are
included in the third track, Just One Day, a song that
asks what you would do if you could spend one more moment with everyone
you loved and lost (What would you do? / What would you say? / If
everyone you loved came back for just one day). It is a beautiful
song with great lyrics and an amazing sound. It does sound a little too
radio friendly, but I will never complain about a song based on that
reason. It is one of the best songs on the album. It is followed by my
favorite track, The Loveless. It reminds me a bit of some
of the greatest hits of the band, especially Desperately Wanting.
The next track is where the band starts to get a
little crazy. All In is an upbeat rocker, a bit like a
fast paced Misunderstood. This is a definite live concert
song, a sing-a-long song for fans. What gets me a little uneasy when I
listen to it is that the band, now in their early forties, are singing
songs with lyrics geared towards twenty-somethings. It just seems wrong
to me, although the synth-pop sound may be a clue that these songs are
meant as memories of what it was like to be young and stupid.
Hell No! is a fast paced and fun
track. Like, All In, it is a decent diversion to get the
heart pumping among the more meaningful slower songs. Hell No!
is a stupid anthem, right up there on the level of Dee Snyder screaming
“We’re Not Gonna Take It Anymore!” When a voice, representing an
athletic coach, gives an inspirational speech (Men, you will never
let anybody disrespect you / Hell No! / You will keep your head held
high whether you win or lose because no one will come into our house and
tell us what to do), the song almost screeches to a halt. I fear
Better Than Ezra is trying to focus their music on rebellious youths,
not their target audience.
While the prior two songs are fun anthems, I
absolutely hate Nightclubbing. The lyrics are juvenile and
uninspired and the song is too familiar in sound to the much better
Somebody Told Me by The Killers. It is like crashing into a
brick wall on an otherwise decent album. The only part of the song that
really pulls it up is Griffin’s Mick Jagger-esque vocals at the end,
bringing back memories of the much better Juicy from
Before the Robots.
It is followed by another poor song in Black
Light which suffers from the same poor writing (Me and my sister
burning up in the room / we turn the black light on) and uninspired
sound that hurt the previous three songs. I understand the need for
rockers but Black Light and Nightclubbing
fail on just about every level. In between those rocking songs are some
average tracks including Fit, Wounded and
the very slow I Just Knew, displaying the songwriting
talent of Griffin.
In the middle of all the rock and roll and average
tracks is the wonderful Hey Love. It is a great love song
and has both the great lyrics (And if every new beginning / Is just
another's end / Tell me love, why should I begin / Again) and music
style I was hoping for when I originally put this album on to play.
While I enjoy The Loveless, Hey Love is the
one song that will probably remain with me for a long time after I
finally retire Paper Empire. The song includes everything
I love about music. This is by far the best song on the album and one of
the best songs Better Than Ezra has ever produced.
Better Than Ezra’s Paper Empire is
not an album made to have a long shelf life. There are not enough songs
that have meaningful lyrics or original sound that will stick in your
mind. There are some hidden gems like the upbeat Absolutely Still,
the great Just One Day and The Loveless, and
the beautiful Hey Love. However, there are also giant
missteps in Nightclubbing and Black Light.
It has been five years since the band last released an album and Kevin
Griffin seems to be searching for a new sound. It is disappointing since
the band’s original sound was so great.
7.5/10.0 |